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Croydon Till I Die

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The view from Taberner House (RIP). Image (c) Andy Williams
Come and celebrate the cultural life of the suburbs at Croydon Till I Die, a series of events featuring authors Andy Miller, Bob Stanley, Lucy Mangan and John Grindrod.

'I think it’s the most derogatory thing I can say about somebody or something: God, it’s so f**king Croydon!' David Bowie (ex-Tin Machine)

The events, and links for tickets:

May 21stBookseller Crow, Crystal Palace – with John Grindrod, Lucy Mangan and Andy Miller

May 28thRough Trade East, 91 Brick Lane – with John Grindrod, Andy Miller and Bob Stanley

June 11thFairfield Halls (Arnhem Gallery), Croydon – with John Grindrod, Andy Miller and Bob Stanley

August 20th-23rdGreen Man Festival, Brecon Beacons, Wales – with John Grindrod, Andy Miller and Bob Stanley

The borough of Croydon has borne the brunt of decades of mockery from the likes of Bromley’s David Bowie, a tradition that stretches back to the general distaste for the suburbs expressed by intellectuals such as Virginia Woolf, T. S. Eliot and E. M. Forster and in books such as The Diary of a Nobody. In fact, the cultural life of the suburbs is rich and varied, and modern music, art, architecture, film and literature would be radically different without the influence of the people who live there and whose work reflects suburbia’s perennial outsider status.

From Bridget Riley to Sam Taylor-Johnson; composer Samuel Coleridge Taylor to Kirsty MacColl; Richard Seifert’s No. 1 Croydon tower (aka ‘the 50p building’) to Croydon College of Art, whose alumni include Ray Davies, Malcolm McLaren, Jamie Reid, Mervyn Peake, Noel Fielding and FKA twigs, Croydon has long played its part in the cultural life of Britain. The Fairfield Halls, opened in 1962, has hosted concerts by The Beatles, Kraftwerk, T. Rex, The Who, Tangerine Dream and Pink Floyd; famously, both Captain Sensible and Rat Scabies of the Damned cleaned the toilets of the venue.

Andy, Bob, Lucy and I all have strong links to the suburbs of South London, and we've have written extensively about the experience of growing up in the area and its influence on how they see the world. This summer we thought, what better than to bring Croydon to fashionable East London, to the foot of a Welsh mountain and to the heart of the town itself, the Fairfield Halls. In evenings of readings, conversation and debate, we'll talk about what we laughingly call our work and the debt that the metropolis owes to suburbia. Urbanistas, lose your preconceptions – and let us take you on a journey to the (Whitgift) centre of the mind.

Andy Miller is a reader, writer and editor of books, a passion born in the municipal libraries of South Croydon. He is the author of the acclaimed The Year of Reading Dangerously: How Fifty Great Books Saved My Life (4th Estate), as well as books about the Kinks and how much he dislikes sport. His work has appeared in the Guardian, Mojo, Esquire and many more. His website is mill-i-am.com and he is on Twitter @i_am_mill_i_am.

Bob Stanley is a writer, film producer and member of the pop group Saint Etienne. His book Yeah Yeah Yeah: The Story of Modern Pop (Faber) is a former Rough Trade Shops Book of the Year. He used to sell eggs on Surrey Street market and currently runs the Croydon Municipal imprint, releasing his own compilations and reissued lost classics. His website is bobstanley.co.uk and can be found on Twitter @rocking_bob.

John Grindrod grew up in New Addington. He is the author of Concretopia: A Journey Around the Rebuilding of Postwar Britain (Old Street), described by the Independent on Sunday as “a new way of looking at modern Britain”. He has written for everything from the Guardianto the 20th Century Society magazine, and can be contacted on Twitter @Grindrod.

Lucy Mangan grew up in Catford but struck out for the heady delights of Bromley for her A-levels. Then went back to Catford. She is a features writer and columnist for the Guardian, Stylist, Puffin magazine and others. She has written four books - the latest is Inside Charlie's Chocolate Factory (Penguin), a history of the Roald Dahl classic to celebrate its 50th anniversary - but prefers reading. She is currently researching her new book, about the history of children's literature, which combines the best of both worlds. She would love you to follow her on Twitter @lucymangan because it saves going out.

John Grindrod, Andy Miller, Bob Stanley and some authentic Croydon concrete. Image (c) Richard De Pesando

Outskirts – a book about the green belt

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So, I have a book deal for my next (and as yet unwritten) project! Outskirts: Living Life on the Edge of the Green Belt is an attempt to tell the history of this peculiar, much-loved and also controversial tract of land. And alongside that there will be the story of what it was like growing up on the edge of it.

1962 brochure produced by the Ministry of Housing and Local Government
It seems crazy to me that despite all of the interest in the green belt there isn't a book that tells its story for a general readership in an approachable way. It's much the same impulse that drew me to write Concretopia too. And so I'm now surrounded by lots of beautiful (and some not quite so beautiful) old books telling me different things about the origins and growth of the green belt. I'm really looking forward to getting stuck in.

The inclusion of my family's story, moving out from Battersea to the edge of the green belt a month before I was born back in 1970, was inspired by readers of this site, who reacted so positively to this rather uncharacteristic piece I wrote about my mum and dad and Croydon's now demolished Taberner House. And so alongside the bigger history I'll be bringing in some more personal tales too.

Yesterday came the announcement that Sceptre, the brilliant literary list at Hodder, has bought Outskirts to publish. I am massively chuffed. Now all I have to do is write it...

Frederic Osborn's classic Green Belt Cities
As with Concretopia, Outskirts will require some travelling and interviews, and so once again I'm on the lookout for people to speak to, this time about the origins and early days of the green belt: planners who worked on it back in the 50s and 60s; people whose family's land was bought or came under the control of the local authority as a result of green belt legislation; and people with brilliant, odd or quirky stories connected to the green belt, and its mysterious (and not always very green) secrets.

If you have a green belt story or contact that you think might be of interest, and you'd like to get in touch, I'd be delighted to hear from you. My email is john [dot] grindrod [at] gmail [dot] com, or I'm on Twitter at @Grindrod or Facebook via https://www.facebook.com/Concretopia 

Lion Farm Estate by Robert Clayton

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In the early 1990s photographer Robert Clayton decided to take his trusty camera to record a council estate in Oldbury, in the West Midlands – the Lion Farm Estate – before it was partially demolished.

(c) Robert Clayton
The BBC notes that 'this council estate was built in the 1960s on land reclaimed from old mine workings.' It was built between 1960-64 by Wimpey in their traditional red brick style, and was dominated by ten high rise blocks. Knowing that number of the blocks were due for demolition Robert Clayton spent several months taking photos around the estate, a mixture of atmospheric architectural and geographical shots as well as lively street photography and more intimate portraits of residents in their flats.


Now, over two decades later, this brilliant bit of social history is being published in a beautifully produced book, Estate. Not only does it include his photos, it also has a rather wonderful essay by Jonathan Meades. But the story doesn't stop there. There's also an exhibition of Robert's Lion Farm Estate photos. From 1st-26th June 2015 the Library of Birmingham are displaying 23 of Robert's photos in a free exhibition. I'd recommend it to anyone who loves the street photography of Martin Parr or has a fascination with postwar council estate life and architecture.

(c) Robert Clayton

He Snoops to Conquer

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Well, I hadn't expected eminent Garden City planner Frederic Osborn to put me on to a George Formby film, but life's like that. In his book Green Belt Cities Osborn mentions a film in which George Formby ends up caught in a plot by corrupt councillors to rob citizens of their chance for new and better homes after the Second World War.



He Snoops to Conquer is a 1944 film starring Formby, Robertson Hare, Elizabeth Allan and Claude Bailey and set in the imaginary Lancashire town of Tangleton. It's every bit as propagandist as films such as Charley in New Town, but surprisingly watchable if you like daft old British comedies (which I do). It neatly satirises slums, loan sharks and corrupt politicians, and catches the wave of political change in the air that would manifest itself in Attlee's postwar Labour government. Might pass rainy afternoon.

Glenrothes New Town (1958)

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Here's another one of those gloriously optimistic and romantic postwar new town promotional films. This one is of Glenrothes New Town, filmed in 1958. Visually it's the Ladybird Book of New Towns.






It's a pretty masculine affair to start with, all rugged landscape, sweat and mining. Then we cut to a new clinic, where a nurse is carrying out a checkup on George, a miner and our hero. 'The medical centres of today look clean, efficient and attractive,' say the narrator. You can see what's coming next, but you pray it won't. But then it does. 'And so do the nurses!' Close-up of bust.

The canteen, with its steel-framed chairs, teak counters and plain tables looks like any number of hipster caffs today. And then we're off on a bus to the new town itself, with the inevitable tweedy planners, earth-movers and, you've guessed it, yet more sexist commentary. 'A bold use of colour to a house is what cosmetics are to a woman.'









George's unnamed wife and children head off to the newly built shops. 'Apart from mountaineering there's no more dangerous passtime for a man than a woman shopping,' drawls the narrator. Before you can say 'Oh, do fuck off,' Mrs George meets a friend and talks about clothes, and the musical score produces more unearned comedic wah-wah-wahs than you would have thought possible, and our hero slopes off to a new pub to get hammered.

Later, at home in her 50s kitchen 'cooking is so easy she almost feels guilty'. I'm sure. And at the end the Queen and Prince Philip rock up and are gawped at. Yet somehow, despite being by far the most sexist of these new town promo films, it still manages to be delightful and fascinating, even though, or perhaps because, it's as alien from today as possible.


Billingham: ICI's New Town

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The town of Billingham in Stockton on Tees may have existed for almost a millennia and a half, but it wasn't until what became the chemical giant ICI opened a massive plant there in 1920 that it took off in its modern form. Part inspiration for Brave New World, and with their own mini-nuclear reactor, the ICI plant would flourish until the 1990s.


This film, Forum, was made in 1967 to commemorate the launch of the town's groovy new social centre. The film begins with some surprising notions, of people walking on heated pavements or sampling (gasp) modern restaurant food. 'There's even a nightclub' says the narrator, with a twinge of disdain, as we see the neon signage for 'La Ronde' glowing in the dark. Then we see it, The Forum, the town's brand new cultural and sports centre, where people can play games or watch theatre, go swimming, visit cafes and bars, play bowls or ice-skate. The Queen sneaks into another one of these films, and so we have the usual boring footage of Her Majesty shaking hands in sustained long shot. She gets to meet the whole Forum senior team, including the architect, Alan Ward. We then see rather more exciting diagrams and footage of the building under construction, all steel trusses and wires, a very modern engineering solution.


These days the town has suffered a decline in industry since ICI moved on, and the Forum itself has survived attempts to flatten it, and is now listed.





Thanks to former resident Andrew Stevens for drawing my attention to this film. Here's what he had to say about it: Curious mix of housing in terms of either built by ICI pre-war (large estates of terraces and some 'managers' arts and crafts-style semis) then a sudden splurge of 50s and 60s council houses (and some high rises, including a very Corbusier cylindrical one) by the urban district council. Post-1972 the new council never really knew what to do with the town and in the late 80s ICI was sold off and demerged to the point of barely existing thus removing economic raison d'etre. Neighbouring Haverton Hill was a smallish town demolished in its entireity (still viewable on Google Maps) after the war due to pollution.

Ballard's High-Rise

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The forthcoming Ben Wheatley film of J. G. Ballard's darkly disturbing 1975 novel High-Rise is an exciting proposition. It's my favourite of his novels, so of course it could all be a horrible disappointment, but let's hope it follows in the fine tradition of Crash and Empire of the Sun. That period of apocalyptic fiction from Ballard, in the wake of his controversial 1969 collection The Atrocity Exhibition, contains not only High-Rise but the peerless Crash and Concrete Island. I've already raved on about them here.


Tom Hiddleston, the star of the film, has also read an audio book version of the novel. Here's a juicy extract.



And let's not forget that High-Rise heavily influenced one of the oddest and campest eighties Doctor Who stories, Paradise Towers...

RIP Queen Elizabeth Square

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Here's a beautiful BBC documentary from 1993, High Rise and Fall, filmed at the time of the demolition of Basil Spence's Queen Elizabeth Square flats in the Gorbals.





It's beautiful because they managed to interview a really interesting cross-section of residents and kept the experts to a minimum. And those residents have such complex, fiercely passionate responses to the building, rather more pro than con. There's fury among those who didn't want to leave their homes, and contempt from the former residents who'd hated it (a female/male split, it seems). And the documentary makers don't impose some nonsense grand narrative over the top, haven't tried to say that this is all high rise, just the story of these flats and these people's lives. And it's all the better for it. Thank goodness they made this before the buildings were demolished.







Croydon, 1963: the reconstruction in action!

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Terrific footage of postwar Croydon being built, from the BFI's archive. This 1963 amateur footage is full of gems, including the rise of the Nestle tower and the sinking of the underpass. There are strange voids and demolition sites as the Victorian grandeur makes way for the clean lines of the modernist world. A proper geeky treat.


Building Milton Keynes, 1973

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Here's another of those excellent newly digitised BFI films. This one, A Village City, is from the Milton Keynes Development Corporation, shot in 1973 when building was just getting underway in the new town.




For Concretopia I interviewed an original resident of Galley Hill, the first estate completed in the new town, shown in the film. It's peculiar to see it like this, houses surrounded by dead land, in shots taken from the air, like those of blitzed cities.




I spend a lot of my time in MK, and those linear parks that Fred Roche talks about have turned out brilliantly. Yet it's also amazing how high-tech the plan was, with that super-fast grid of roads, cable TV and factory units like spaceships.




This film successfully gets across the ambition and scale of the place, Britain's largest new town. 





Ladybird Modernism – Live!

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It may not have passed you by that there has been a very successful exhibiton of Ladybird book artwork at the De Le Warr Pavilion in Bexhill, which has just transferred to the House of Illustration in London's King Cross.


I saw the exhibition in Bexhill and loved it – so much original artwork mounted and on display, and when it's brought together you get the impression of how remarkable these books were, and the artists who illustrated them.


Turns out they must have seen my three posts on Ladybird modernism (one, two and three), or my talk at the Boring conference in 2014. And so I have been asked to do a talk as part of the exhibition.

It's on 17 September 2015, 7:00pm – 9:00pm (though the talk itself will last an hour, the rest is a chance to explore the show/geek out). You can get tickets here.


From the joys of high-rise living and the beauty of modern interior design to the arrival of new motorways, airports and technology, Ladybird recorded all the experiences of modern living, capturing a sense of postwar optimism and excitement. With series such as People at Work, Achievements and How It Works, they explore perfectly the white heat of technology and progress so beloved of a generation of designers, planners and politicians.

The success of Ladybird books in the postwar period coincided with the rise of exciting new technology and the rebuilding of Britain’s towns and cities, brought about by blitz bombing, neglect or ambitious planning schemes. As a result many of those books, usually so associated with a cosy pipe-smoking suburban view of Britain, actually showcased a rather more go-ahead modernist view of life than we might think. Taking many of the original images from across their range it is possible to imagine a hidden 'Ladybird Book of Modernism'.

Cooking up Spaghetti Junction

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Here's another one of those BFI films: an ATV news report from 1968, which starts on a road tunnel between Great Charles Street and Suffolk Street in Birmingham city centre. It then goes on to explore the vast model and plans for Spaghetti Junction, the enormously complex road scheme at Gravelly Hill, connecting the M5, M6 and the ring road. Amazingly it was called Spaghetti Junction even before it was built... Reporter Bev Smith brings such low energy to the affair that these four minutes simply drag by.

Yorkshire Development Group

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There are plenty of doomy documentaries about the post-Ronan Point downfall of 60s system building. This is not one of those. Instead it's the optimistic story of the Yorkshire Development Group, filmed in 1968, six years after it was set up, and the same year as the Ronan Point disaster.


Created to produce a housing system along the lines of the Clasp school building system, the YDG provided housing in Leeds, Sheffield, Hull and, later, Nottingham. The architect for the group was Martin Richardson, a young man of 33 when he took up the post. Post-YDG he would work on the Pompidou Centre and Bradwell Common in Milton Keynes, both rather different in style...


The Yorkshire Development Group were all about deck access flats, made with a home-grown large concrete panel system. This film shows the construction of Balloon Wood in Nottingham, Anchor Street in Leeds, Bransholme in Hull and Broomhall in Sheffield. Following damp problems each of them were demolished in the 1980s, although fragments of some, such as Broomhall, remain. Richardson was convinced that poor contruction and maintainence had done for the blocks.


This film captures a happier moment before those problems arose, and when optimism was the keynote. Watching it reminds me of Philip Larkin's 'As Bad as a Mile':

Watching the shied core
Striking the basket, skidding across the floor,
Shows less and less of luck, and more and more
 
Of failure spreading back up the arm
Earlier and earlier, the unraised hand calm,
The apple unbitten in the palm.

Prince Charles loves the Barbican

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Here's a royal walkabout at the Barbican estate from November 1972, well into the building of the flats but a decade before the arts centre was open. The event was caught with fawning absurdity by the British Movietone News commentator. As well as the Queen unveiling a plaque and going walkabout, the film is notable for an unlikely figure striding about the grounds of one of Britain's most extensive brutalist building schemes: Prince Charles caught smiling before a wall of pick-hammered concrete. It's worth watching for that alone.



1940s Models of Coventry

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Here's some very early postwar newsreel footage of Coventry. Here we see town planner Donald Gibson's model for the rebuilding of the blitzed city centre. We also have some fascinating footage of the bombed-out cathedral, and a wedding taking place in the ruins. And there are also shots of the blitzed landscape, and the start of construction at Broadgate, which would be finished in 1953.






Atomic Achievement (1956)

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Here's a very British film about atomic energy. Made in 1956 to promote breakthroughs in civil atomic energy at Calder Hall, Atomic Achievement is the epitome of those public information films that declared the atom is our friend.





It features Windscale, the two reactors, or piles, which produced the first British weapons grade plutonium-239. A dangerous fire at the plant in 1957, a year after this film was made, would sully forever the pristine technocratic reputation of the site, and by the 80s it had been renamed Sellafield.





The main focus of the film is Windscale's near neighbour, Calder Hall, home to Britains's first magnox reactor, built for the production of domestic power rather than atomic weaponry. Perhaps the most disturbing moment of the film is watching the not-very-radiation-suited men turning the spent fuel rods in a cooling pool like sausages on a barbecue. Watching this I could only hear Eric Clapton's doomy theme to the eighties BBC nuclear thriller Edge of Darkness. A fascinating film, and one that unsettles while thinking it comforts.

Keeping up with L'Eclisse

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A weird perk of having written Concretopia is that every so often I'll be asked to read or see something that might be of interest. So it was with this 1962 film, L'Eclisse, directed by Antonioni, which I'd never seen before, as is about to get a limited cinema release, followed by shiny new DVDs and Blu-Rays.


Now, I’ve never been to Rome. I’ve never even been to Italy. And the Rome I experienced in L’Eclisse is perhaps not the Rome I would recognise as a tourist, despite shots of some of the great ancient monuments of the city. Why? Well, firstly, if you've not seen it, much of this strange black and white film exists at the margins, in suburban apartments, on the edges of building sites, and quiet backstreets. Filmed by Michelangelo Antonioni at the start of the sixties, this is a city undergoing rapid transformation, by a nation in love with modernisation and the future. And in some ways this is what L’Eclisse is about. Not that I could really say what it is about, because it is such a suggestive, open, allusive (and elusive) movie. That’s why it’s so good.

Monica Vitti plays Vittoria, the central character in this strange roving tale, who drifts from one situation to the next, never fully committing (apart from one very surprising fancy dress sequence…). Alain Delon’s Piero is the handsome hollow man in hot pursuit, hanging round the street outside her modern apartment like an alley cat. Both are exceptional performances, small and intimate, deliberately lost in this grand project, eclipsed by Antonioni’s bigger vision, that of the people vanishing amid the material world they have created.


The city is being built all around them. The half-completed office and apartment blocks form a strangely blank backdrop to this empty romance. The cinematography, as one might expect in an Antonioni film, is astonishing throughout. Beauty and ugliness coexist and interrelate in every shot, the delight in still lifes and banal settings infuse the film with an almost zen-like calm and detachment. And the wind blows through this strange, bleak landscape as across high plans or mountain passes, often the only animating feature of a shot or a sequence.


I remember seeing Blow Up as a teenager and being baffled and alienated by it. Decades later L’Eclisse feels to me like an accurate portrait of the absurdity of modern life. Characters eclipse one-another, their forms fully or partially obscured; modernism eclipses classicism; greed eclipses decency. What I love most about it is that as a work of art it is bigger than I am, and left me feeling dwarfed by the ideas, the artistry and the poetry of it. And the ending is one of the most perfect in all of cinema, leaving the audience on the edge of their seats and never offering explanations or easy resolutions.

Why doesn’t cinema feel as daring and astonishing as this today? There is something so cold and alien about the performances, the shots, the settings and the story that is both unnerving and exciting. It does little to comfortably please, and everything to unsettle and provoke. For a fan of modernist architecture and design there is so much here, and it captures a moment of transition – of eclipse – with an instinctive logic all of its own.



L’Eclisse, Michelangelo Antonioni’s 1962 film, is re-released in cinemas on a fine new digital print by Studio Canal and ICO, from 28th August.

Henry Moore's Harlow Family Group

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The sponsorship of public art became a central task of postwar organisations such as the new town development corporations and the Arts Council. Harlow's chief architect and planner, Frederick Gibberd, was successful in encouraging lots of leading artists to contribute work to the town, none more famous than Henry Moore. His Harlow Family Group was unveiled by Kenneth Clark in May 1956. Apparently rumours had spread that it was an obscene form, and protesters had turned up to the ceremony, only to be disappointed. This excellent silent British Movietone newsreel footage captures the new town and the unveiling.

The Curious Character of Corby

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This is a lovely surprise, a vintage BBC documentary on a new town in pristine condition.


The Curious Character of Britain was a 12 part BBC documentary series from 1970. A Long Way From Home was an episode all about Corby, the Nothamptonshire steelworks town that was designated a new town in 1950. Writer/director Alan Bell created a really beautiful documentary here, weaving in the voices of locals – and those locals came from Scotland and across the world – with narrator Michael Cronin.





This beautiful 1970 documentary is followed by a rather more straightforward 2007 Inside Out BBC film on the town, retelling the story of the Scottish steelworkers and the birth of the new town.





Events: October 2015

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I'm doing two events in October 2015.

The first is for Wakefield Civic Society on the evening of the 15th October, 7.30–9.30pm, at Wakefield Town Hall, where I'll be talking about ten buildings that changed postwar Britain. Here's an Eventbrite link for tickets.

Ten Building that Changed Postwar Britain: How did blitzed, slum-ridden and crumbling 'austerity Britain' became, in a few short years, a space-age world of concrete, steel and glass? Discover the story of Britan's postwar rebuilding in this whistle-stop tour of ten brilliant, curious or downright bizarre buildings that represent the story of this turbulent period of our history, from 1945 to 1979. Travel from the days of prefabs and the birth of the Welfare State through to the concrete brutalism and ambitious plans that changed towns and cities up and down the country. John Grindrod is the author of Concretopia, witty and revealing history of our postwar rebuilding, described by the Independent on Sunday as 'a new way of looking at modern Britain.'

Engineering Research Station, Ryder and Yates 1968 © Photo-Mayo studio
On the 20th October I'm chairing an event at RIBA in London by North-East modernist buffs Something Concrete and Modern. I'm very excited to hear what they have to say, as I'm a big fan of their work. Here's what the RIBA site says:

'Something Concrete and Modern' is a project to document the buildings, people and planning that transformed the town and cities in the North-East of England in the years following the Second World War.

Following the Second World War, vigorous and successful building programmes were completed in the North East of England.  Social housing, the introduction of new towns and the varied developments for the new industries of gas, steel and petrochemicals, all of which were booming in the post-war era, as the region found itself with money to invest and designers and politicians full of optimism for the future.

The North east region quickly became a hot bed for design attracting amongst others, Ove Arup, Victor Pasmore, Berthold Lubetkin, and his proteges Gordon Ryder and Peter Yates. During this period, the School of Architecture in Newcastle also spawned a number of important figures in the Brutalist movement, including Alison and Peter Smithson,  Jack Lynn and Ivor Smith.  A number of the buildings from this period became key icons of twentieth century post-war architecture: Ryder and Yates' Engineering Research Station, Owen Luder's Trinity Car Park, George Kenyon's Newcastle Civic Centre and Victor Pasmore's Apollo Pavilion in Peterlee.
Regrettably,  this post-war legacy has remained largely undocumented and in recent years has begun to disappear at an alarming rate due to a lack of appreciation of the architecture from this period and little recognition of the significance of these buildings, their designers and the ideals that they were borne out of.

The Something Concrete and Modern project was established to catalogue and document the key projects and people that were influential in shaping the region during this period.  As well as the catalogue and in recognition of the need to make the information more accessible to a wider audience, the project team have established an online archive which features more than 70 buildings and key figures from the period.

In this presentation the research team (Rutter Carroll, Claire Harper and James Perry) will present some of the key projects and characters from the archive. The presentation will set out the social, economic and political context that made the North east such a conducive environment for bold planning and architectural thinking. Finally, the team will present the archive and talk through how it was achieved covering the design, research and future growth of the project.

Rutter Carroll, who is a member of the research team, received an RIBA Research Trust Award in 2013 for work on this Something Concrete and Modern: Post War Architecture in the North East of England project.

Something Concrete and Modern: October 20th 2015, 6.15pm to 7.15pm. It's a free event but you need to reserve your place via the RIBA website.

Hope to see you there!
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